Category Archives: Conferences

Why ‘must’ I ‘attend’ your event?

Your brochure is finished.  The design is great (though you haven’t left a lot of white space because you’ve got to keep on giving those punters reasons to attend) and you think the copy covers all the bases.

Bet I can guess what phrase you have used to describe your conference/awards/expo?

… is the Must Attend Event for … professionals/lovers of jazz music etc. etc.

Oh how I wish I had a penny for every time that phrase is used.  Why not a pound? I hear you ask.  That’s because I am so confident of the number of times it has been used that I think I will still benefit financially.  And indeed I am proved correct: a Google search on the phrase ‘must attend event’ yields no fewer than 6,580,000 results! Even if I narrow the search criteria down to the last twelve months it yields 403,000 results.

It’s a facetious point well made.  Why do marketers describe their events in such hackneyed terms?

And is it marketing’s problem, or is it something more fundamental to do with the way we create events, particularly large scale exhibitions, multi-streamed conferences and awards ceremonies?

Probably a bit of both if the truth be told.

It’s easy(ish) to market a rock concert.  You know which band is playing, you tell their fans where and when and hopefully they will buy tickets.  Simple, single stage sell.   But how do you get 5,000 people to a medical device exhibition or 100 delegates to attend a conference on social networking? You could tell them what’s on offer, but you’ll need to present the message differently to each of your audience sectors, and that causes problems because you might not be able to offer them all the same super attractive package.  And then of course you might be the only marketer trying to cover off a number of events and your creative juices are spread too thinly.

So the easy option is to describe your product as the must attend event for ‘anyone involved in the medical device industry’ or ‘anyone who wants to use social networking to leverage their business’. Phew – got all the potential audience covered - can sign off on the copy.

Stop and look again though.  Instead of trying to find phrases that fit all, remember what motivates people to come to events.  There will be a core of people who attend because they come every year; the health services that buy medical devices perhaps, and they make up 40% of your audience.  You can clearly identify another 40%. So why not create copy that talks to these people?  Because I will miss the other 20% you reply.  But what makes that other 20% come along every year… they seek you out.  And it wasn’t because you kept harping on about the fact that you are the must attend event for…  it’s because they were looking for something and they found it in your copy/online content etc. and subsequently your event.

Be brave.  Stop trying to talk to everyone at once.  Create a series of miniture marketing pieces within your main message.  Create multiple calls to action (and if you are asking someone to spend £750 on a conference place please don’t use Book Now) that drive individuals to yet more compelling and targetted content.  Tell a small business in Irving why embracing Facebook could transform their sales performance; explain to a manufacturer what installing a clean-room could do to their business; encourage an advertising agency in Coventry to enter an industry award.

Then, and only then, will your event be truly must attend.

hellen @purerocketscience

So you think you own me?

The previous post You’ve got to deliver what the audience really  wants has provoked discussion in a number of forums and the responses have made for interesting reading, not least because of the seeming inability to move on from old arguments.

So let’s look at the topic from a different angle, by considering two industries closely related to producing live events; so closely related in fact that you would consider them siblings; i.e. publishing and broadcasting.

In both of these industries, the key players are referred to as Media Owners. Because they own the medium through which the content is broadcast. And for years this is exactly what they have done; decided when, where and what information and entertainment their audiences or readerships were going to consume.  They have made and broken many a star, politician or company profit, simply through the editorial decisions they have taken which have influenced the masses.

Conference and exhibition organisers, be they commercial operations, industry bodies or associations, continue to believe that they must operate in a similar way.  Developing programmes of content that they perceive the audience wants, choosing speakers and selecting participating exhibitors (via an economic filter it is true) and presenting a finished product to the visitors at a time, date and venue over which the latter has no control.

Then along came the Internet and social media and the shift in power from owner to audience was seismic.

Because the concept of expertise ownership by a few large corporations doesn’t fit any more.  You can’t tell me what I should be watching, what information I need, or who I should be networking with.  You can’t stop me finding organisations who can’t afford to exhibit at your event or who haven’t got a charismatic speaker, because if their Search and SM strategies are good I can do this on my own.  And, you can’t stop me telling people, a lot of people, about the experience your organisation offers me, within minutes if I so choose.

So let’s bin the argument about virtual not replacing face-to-face; because we all know it won’t.  Let’s stop finding fault with virtual technologies, because frankly some of them are pretty amazing.  And let’s stop pretending that we still own audiences and industries because of the events we produce because we don’t. Let’s embrace the new to enhance the old rather than dismissing it as a fad that has nothing to do with us.

What we need to be doing, with or without the help of virtual technologies, is to work out how we build and maintain relationships with our communities; how we facilitate communication and collaboration between individuals both through a single live day and an online presence; and how we use the unfettered enthusiasm of our audiences to create a profitable business model for the future.

hellen @missioncontrol

Stand up for what you believe

Jill Sheffield - Women DeliverA recent post on the very excellent BBH Labs blog* has brought me back to thinking about tigers and sheep which I wrote about in May 2010.  In that post I didn’t actually use the quote that originally came to my attention through the British mountain climber Alison Hargreaves so here it is:

Better to live one day as a tiger than your whole life as a sheep

It is this theme of sticking by your convictions and having the courage to stand out in a crowd that Jim Carroll, Chairman, BBH London covered in his post Who’s Ad is it Anyway? on 16th May.

Inevitably, when we discuss modern communication, we spend most of our time considering whether we are properly reflecting the truth of the brand or engaging the interest and participation of the audience.  And rightly so.  But doesn’t it help, a little at least, to be motivated by our own interest, enthusiasm and sense of pride?

While I have worked in many events organisations that have enthusiasm by the bucketload; and self-interest is after all what motivates many a sales executive with an eye on their commission cheque; I am not sure that pride in the sense that Jim uses it is often in the mix.  When staging an event, particularly one in the B2B marketplace, the team has to serve a huge number of masters: from industry bodies with committees and egos of their own; to sponsors who rightly want to extract maximum benefit for their investment; a multiplicity of media partners, exhibitors, speakers; plus the visitors themselves; while constantly reminding themselves of the need for a positive financial outcome.

How in this maelstrom of expectation do you stay true to the event and the original ideas that drove it’s inception?

It helps if you actually have a clear description of what your event actually is.  Sit your entire team in a room and ask them to define your event in a single sentence (no restriction on the number of words!).  If you have never done this I can guarantee you’ll have more than one answer.  Once you have nailed this one, decide on the personality and profile of your event. Write it down. Create your branding document, and by this I don’t just mean your look and feel, it should also define your market position and your key performance indicators. And every single one of your team needs to know that this is the hymn sheet they should sing from.

While it is essential to be embedded in your marketplace, and you should make essential changes, don’t be tempted or swayed by single voices or what other organisers are doing. Constant reactions and alterations make you look like grass swaying in the wind rather than firmly rooted and leading the way.  If your research was thoroughly executed and your key participants were eager to come on board, don’t let others tinker with or distort your original concept simply because they think they can.

Have the courage of your convictions so that when the last truck leaves the venue you can say “That was my event, and of it I am very proud.”

hellen @missioncontrol

*Well worth a read – particularly if you have been struggling with how to develop your own company blog with buy in from the entire organisation.  Admittedly they have lots of fabulous creative content to play with, but that shouldn’t be your excuse.

Do event companies need a new strategy?

feel the love hearts graphicAccording to Christophe Asselin, Head of UK at DMG :: events, what event companies (and by association their marketing teams) really need to do to attract visitors is to “feel the love”.

Christophe espoused this philosophy extensively at the Conference for Conference Professionals back in April.  What he was explaining, sprinkled heavily with his own particular brand of Gallic charm, was that if event organisers want to attract visitors, and keep them coming back then they have to be prepared to get up close and personal.

This approach won’t come as a surprise to anyone who has read Inbound Marketing by Brian Halligan and Dharmesh Shah of Hubspot fame.  There are many organisations that, having set about making sure people could find them on Google, social media and blogs, also ensured that any incoming enquiries, orders or complaints could be handled swiftly and effectively by anyone in the business.  Other books such as Groundswell  and Socialnomics are littered with examples of companies getting it right, and in many cases wrong.

So why are so many event companies finding it hard to adopt this strategy themselves?

Economics has a lot to do with it and in particular the huge gamble that has to be taken at the start of the event planning process in terms of specifying and committing to a venue.  To minimise the risk the temptation is to run the team very lean in the beginning, keeping staff numbers and overhead as low as possible.  While this keeps the financial exposure down it invariably means that it also reduces the capacity to bring the event to the market.

It’s hard to be heard if you are a single lone voice and it takes time to gather enough others around you to start creating a really audible noise.

And, if we go back to Christophe’s original point, if the team is small and hard pressed, they don’t have the time, energy or inclination to listen and react to what potential visitors have to say, even though it could be the vital piece of information that could change an event from job done to runaway success.

Which could possibly explain why so many event companies want to embrace social media to deliver their louder voice but they can’t quite work out how, or if they have already dipped their toes into the water they are decidedly underwhelmed by the results.  It isn’t that social media isn’t or can’t work for events, but this is one medium where effort most definitely equals reward.  Rather than taking the usual“let’s add it to the bottom of the marketing department’s list of things to do” attitude, working out a cohesive social media strategy, of whatever size or complexity, in the launch proposal and budgetting adequately to deliver it on a long-term basis, will deliver much more satisfactory results.

For after all, it is only when you truly know your audience that you can really learn to love them.

More cake for the communications tea party?

In a question posed by Greg Hackett on a LinkedIn group that we follow he asked ”Can we have our cake and eat it” in the context of whether ambience or content should be the key driver in creating a successful event or if indeed it was important to have both.

There are some examples of venues that are so magnificent or exclusive it isn’t hard to pursuade delegates to attend, even at strange times of the day: for example a breakfast briefing at the House of Lords,  London will draw in even the most hardened of industry hacks; and a conference on a hot-topic specialist scientific topic with an industry leading speaker could be held in a dusty lecture theatre with curly sandwiches and still attract a huge number of delegates.  So this doesn’t really answer the question either.

However, one thing the group has been able to agree upon is that it is important not to flog the delegates with so much content that it becomes impossible to absorb all, or indeed any, of the information being imparted from the lecturn.   This is one area where professional conference organisers and marketers can struggle.  In an effort to create an event that is so compelling, so packed full of benefits and so worth having one or more days out of the office to attend it is possible to end up with such a multi-streamed, PowerPoint-packed programme that it becomes a nightmare to navigate and almost impossible to promote.

Erin Handel from Bankerstuff reinforces the point.  She cites an example where promoting a five-session live-streaming event in a single mailing failed to deliver any results, but by breaking this down into five single streams, each of which could be marketed with their own specific messaging resulted in a significant number of bookings. 

What this illustrates most clearly is a need to get back to straight-forward marketing techniques.  In our eagerness (desperation?) to get individuals through the door we have got into the habit of bombarding potential delegates with as many benefits and features as possible.  This only serves to hide the real message and make our job harder rather than easier. And to be honest sometimes we just sound desperate.

Greg asked the original question in the context of virtual events, where the debate continues about the complexity (or not) of the technology used to deliver the digital content.  The very fact that the responses strayed so quickly back to comparisons with live conferences and the difficulties in marketing them only serves to illustrate that the disciplines driving both are very closely linked.  Could it be that digital platforms enable organisers to add all of that extra-value content, for longer giving them (and the delegates) the breathing space to engage more thoroughly in the content and face-to-face networking opportunities provided by a live event?

Most important of all is to ensure that in embracing a new virtual medium we learn from, rather than replicate our existing experience. After all, who wants to go to an event where they are always serving the same cake?

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