Category Archives: Virtual events
You’ve got to deliver what the audience wants
It seems like the technology has finally been toppled from its place at the top of the virtual events debate and we are, at last, getting back to the basics of looking at the needs of the client. We are once again talking about the multi-faceted communications approach that engages all sectors of an audience. There is no sense in trying to shoehorn all comms activity into a one-size-fits-all solution, when every other sector of business is constantly trying to find new niches to occupy.
The evolution of virtual events is being driven by one major factor: as more virtual events happen, more people are participating in them and the better we can measure their behaviour. So rather than making assumptions and creating technology in a vaccuum, we are delivering the goods the customer ordered.
Two research studies* have been released recently which serve to confirm just how quickly behaviour is changing in the physical and virtual meeting industry; their core findings make for interesting reading, not least because of the gulf of expectation between event organisers and their audiences:
- Live content, be it video or webcasts, is the most popular on a virtual site, and yet only 43% of physical events capture any of their content to post online, and where they do it is often less than 10%.
- There is as yet little commercialisation of virtual events, whether this is a conscious business decision, a resistance from the marketplace or the resource issue below is as yet unknown.
- Organisations worry about the additional staff time needed to execute a virtual event to the cost, the quality of the experiencefor the visitor and the complexity of technology.
The benefits for the organiser though are seen quite clearly; more than 82% of past users of virtual events and 84 %of future users questioned in the Tagoras study mentioned the potential increase in audience numbers, an important consideration where physical events were only enabling them to reach a fraction of their total target audience.
So why are event organisers still so reluctant to embrace virtual technologies.
Meanwhile, the potential audience shows no such reticence:
While organisers of physical events continually state that people want to do business with real people, the Business Motivations and Social Behaviors for In-Person and Online Events study found that:
- 80 percent of respondents are comfortable connecting and networking with strangers.
- 70 percent are comfortable using a video/webcam to chat and meet others.
- 33 percent share information by instant messaging at online events, while 28 percent do so at in-person events.
- 41 percent use Twitter at online events, while 51 percent do so at in-person events.
Another objection often raised by physical event organisers is that online attendees are easily distracted. But attendees in real time also check their emails, text, tweet, phone and message while sitting in an auditorium. The only difference is that the virtual attendees can come back to it later.
Respondents seek similar information from exhibitors whether booths are live or virtual: more than half want to see what a company does and how it can help them, and nearly half of respondents want to get company, product or solution information for review or want to see a demonstration or the product itself.
Where virtual events really begin to draw in the attendees though is in accessibility:
- the environment’s ease-of-access;
- the ability to ask questions and participate actively;
- reduced travel costs and hassles
- reduced time away from family and office
Given the solid evidence, it is hard to see why so many event organisations continue to find more reasons not to embrace virtual technologies than to explore the possibilities. Perhaps it will take some new entrants into the marketplace to steal a march on the naysayers, establishing great virtual events that morph into fantastic physical ones that take the old-guard by surprise.
Remember: if you don’t listen to your customers, and give them what they want, you are giving them every excuse to go somewhere else.
* The two studies quoted are:
Virtual Event Study, done in collaboration with the Center for Exhibition Industry Research, Relate Content & Community Solutions and Tagoras, and funded by the International Association of Exhibitions and Events:
The Business Motivations and Social Behaviors for In-Person and Online Events, a study sponsored by the Professional Convention Management Association, UBM Studios and Virtual Edge Institute:
Virtual Shakespeare – fancy that!
My pre-teen loves Shakespeare. It’s not something I can take any credit for since I didn’t really pay much attention in English Literature (I blame the teacher) and the sight of Denzel Washington, Robert Sean Leonard and Keanu Reaves striding around in riding breeches in the 1993 film version of Much ado about Nothing probably stopped me from appreciating the complexity and vivacity of the language.
Despite having the RSC and Globe Theatre more or less on the doorstep we haven’t quite managed a trip to see the Bard’s offerings live as yet, so there was little to reference when confronted by a project to design the stage setting for MacBeth. However, we were saved from having to trawl through countless videos on YouTube by a brilliant event produced by Florida Virtual School on the 6Connex virtual experience platform.
The Florida Virtual School develops and provides virtual K-12education solutions to students in Florida, the U.S., and the world. Founded in 1997, it was the country’s first, state-wide Internet-based public high school. Today, FLVS serves students in grades K-12 and provides a variety of custom solutions for schools and districts to meet student needs. Its virtual Shakespeare festival was live on 26-27 April and once we had logged in we were able to see presentations from FLVS students as they acted favourite Shakespeare scenes or added their own interpretation. With vignettes from other Shakespeare companies, including the very excellent Reduced Shakespeare Company, we were able to absorb a lot of content and styles in a very short period indeed, presented in a way that felt extremely accessible.
Was something lost by the presentation of theatrical works in video that was a bit grainy and certainly wobbly in places? Possibly yes. But many children and young people (and the rest of us!) today live off a diet of YouTube video and homemade entertainment delivered via phone, iPad and PC so my 12 year old wasn’t remotely phased by a lack of cinematic quality. What she really enjoyed was being able to interact with the actors and presenters in real time. Networking was easy in this virtual environment and the fact that most of the other participants were 4,500 miles away was of no concern. Did she learn anything – definitely. Did she enjoy the experience – absolutely.
The debate about virtual vs live rumbles on, and on, but what this event shows is that these environments are not just a business solution. They offer a real opportunity to open up access to real live knowledge and expertise for all.
hellen @missioncontrol
What exactly is a virtual event?
Just when you thought you had got to grips with all of the options available via cloud computing and social networking along comes something else to add to the mix. If you are one of the many trying to navigate your way in this emerging market there is a much opinion being shared by those on the leading edge.
Before you can even begin to think of technology suppliers or content you need to know exactly what is meant by virtual event because like lots of new innovations the term doesn’t mean the same to everyone. The end result from using a webcasting solution would differ greatly from that produced from an award-winning platform such as 6Connex.
By far the best definition of a virtual event we have found so far comes from the Association Virtual Conference report produced by Tagoras (well worth reading if you get the chance).
A virtual conference is a Web-based event that replicates many aspects of a traditional placebased conference. It features multiple sessions (not just a single Webinar or Webcast) and may include keynote presentations, training and education workshops, discussion areas, social networking opportunities, exhibit areas for vendors, and various other features. Activities in a virtual conference may take place in real time (synchronously), on demand (asynchronously), or in some combination of the two.
Which is a great starting point. Next you need to specify your goals and then work out what you expect a technology solution to deliver. If you are a novice reading the advice of an independent commentator like Cece Salomon-Lee from Virtual Buzz could prove invaluable.
Above all, go and have a look at some of the events currently being produced: you’ll find everything from Shakespeare Festivals to Sales Conferences; Training Days to Careers Fairs. In fact there isn’t much you can’t do in these environments.
More cake for the communications tea party?

In a question posed by Greg Hackett on a LinkedIn group that we follow he asked ”Can we have our cake and eat it” in the context of whether ambience or content should be the key driver in creating a successful event or if indeed it was important to have both.
There are some examples of venues that are so magnificent or exclusive it isn’t hard to pursuade delegates to attend, even at strange times of the day: for example a breakfast briefing at the House of Lords, London will draw in even the most hardened of industry hacks; and a conference on a hot-topic specialist scientific topic with an industry leading speaker could be held in a dusty lecture theatre with curly sandwiches and still attract a huge number of delegates. So this doesn’t really answer the question either.
However, one thing the group has been able to agree upon is that it is important not to flog the delegates with so much content that it becomes impossible to absorb all, or indeed any, of the information being imparted from the lecturn. This is one area where professional conference organisers and marketers can struggle. In an effort to create an event that is so compelling, so packed full of benefits and so worth having one or more days out of the office to attend it is possible to end up with such a multi-streamed, PowerPoint-packed programme that it becomes a nightmare to navigate and almost impossible to promote.
Erin Handel from Bankerstuff reinforces the point. She cites an example where promoting a five-session live-streaming event in a single mailing failed to deliver any results, but by breaking this down into five single streams, each of which could be marketed with their own specific messaging resulted in a significant number of bookings.
What this illustrates most clearly is a need to get back to straight-forward marketing techniques. In our eagerness (desperation?) to get individuals through the door we have got into the habit of bombarding potential delegates with as many benefits and features as possible. This only serves to hide the real message and make our job harder rather than easier. And to be honest sometimes we just sound desperate.
Greg asked the original question in the context of virtual events, where the debate continues about the complexity (or not) of the technology used to deliver the digital content. The very fact that the responses strayed so quickly back to comparisons with live conferences and the difficulties in marketing them only serves to illustrate that the disciplines driving both are very closely linked. Could it be that digital platforms enable organisers to add all of that extra-value content, for longer giving them (and the delegates) the breathing space to engage more thoroughly in the content and face-to-face networking opportunities provided by a live event?
Most important of all is to ensure that in embracing a new virtual medium we learn from, rather than replicate our existing experience. After all, who wants to go to an event where they are always serving the same cake?
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