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Why ‘must’ I ‘attend’ your event?
Your brochure is finished. The design is great (though you haven’t left a lot of white space because you’ve got to keep on giving those punters reasons to attend) and you think the copy covers all the bases.
Bet I can guess what phrase you have used to describe your conference/awards/expo?
… is the Must Attend Event for … professionals/lovers of jazz music etc. etc.
Oh how I wish I had a penny for every time that phrase is used. Why not a pound? I hear you ask. That’s because I am so confident of the number of times it has been used that I think I will still benefit financially. And indeed I am proved correct: a Google search on the phrase ‘must attend event’ yields no fewer than 6,580,000 results! Even if I narrow the search criteria down to the last twelve months it yields 403,000 results.
It’s a facetious point well made. Why do marketers describe their events in such hackneyed terms?
And is it marketing’s problem, or is it something more fundamental to do with the way we create events, particularly large scale exhibitions, multi-streamed conferences and awards ceremonies?
Probably a bit of both if the truth be told.
It’s easy(ish) to market a rock concert. You know which band is playing, you tell their fans where and when and hopefully they will buy tickets. Simple, single stage sell. But how do you get 5,000 people to a medical device exhibition or 100 delegates to attend a conference on social networking? You could tell them what’s on offer, but you’ll need to present the message differently to each of your audience sectors, and that causes problems because you might not be able to offer them all the same super attractive package. And then of course you might be the only marketer trying to cover off a number of events and your creative juices are spread too thinly.
So the easy option is to describe your product as the must attend event for ‘anyone involved in the medical device industry’ or ‘anyone who wants to use social networking to leverage their business’. Phew – got all the potential audience covered - can sign off on the copy.
Stop and look again though. Instead of trying to find phrases that fit all, remember what motivates people to come to events. There will be a core of people who attend because they come every year; the health services that buy medical devices perhaps, and they make up 40% of your audience. You can clearly identify another 40%. So why not create copy that talks to these people? Because I will miss the other 20% you reply. But what makes that other 20% come along every year… they seek you out. And it wasn’t because you kept harping on about the fact that you are the must attend event for… it’s because they were looking for something and they found it in your copy/online content etc. and subsequently your event.
Be brave. Stop trying to talk to everyone at once. Create a series of miniture marketing pieces within your main message. Create multiple calls to action (and if you are asking someone to spend £750 on a conference place please don’t use Book Now) that drive individuals to yet more compelling and targetted content. Tell a small business in Irving why embracing Facebook could transform their sales performance; explain to a manufacturer what installing a clean-room could do to their business; encourage an advertising agency in Coventry to enter an industry award.
Then, and only then, will your event be truly must attend.
hellen @purerocketscience
So you think you own me?
The previous post You’ve got to deliver what the audience really wants has provoked discussion in a number of forums and the responses have made for interesting reading, not least because of the seeming inability to move on from old arguments.
So let’s look at the topic from a different angle, by considering two industries closely related to producing live events; so closely related in fact that you would consider them siblings; i.e. publishing and broadcasting.
In both of these industries, the key players are referred to as Media Owners. Because they own the medium through which the content is broadcast. And for years this is exactly what they have done; decided when, where and what information and entertainment their audiences or readerships were going to consume. They have made and broken many a star, politician or company profit, simply through the editorial decisions they have taken which have influenced the masses.
Conference and exhibition organisers, be they commercial operations, industry bodies or associations, continue to believe that they must operate in a similar way. Developing programmes of content that they perceive the audience wants, choosing speakers and selecting participating exhibitors (via an economic filter it is true) and presenting a finished product to the visitors at a time, date and venue over which the latter has no control.
Then along came the Internet and social media and the shift in power from owner to audience was seismic.
Because the concept of expertise ownership by a few large corporations doesn’t fit any more. You can’t tell me what I should be watching, what information I need, or who I should be networking with. You can’t stop me finding organisations who can’t afford to exhibit at your event or who haven’t got a charismatic speaker, because if their Search and SM strategies are good I can do this on my own. And, you can’t stop me telling people, a lot of people, about the experience your organisation offers me, within minutes if I so choose.
So let’s bin the argument about virtual not replacing face-to-face; because we all know it won’t. Let’s stop finding fault with virtual technologies, because frankly some of them are pretty amazing. And let’s stop pretending that we still own audiences and industries because of the events we produce because we don’t. Let’s embrace the new to enhance the old rather than dismissing it as a fad that has nothing to do with us.
What we need to be doing, with or without the help of virtual technologies, is to work out how we build and maintain relationships with our communities; how we facilitate communication and collaboration between individuals both through a single live day and an online presence; and how we use the unfettered enthusiasm of our audiences to create a profitable business model for the future.
hellen @missioncontrol
Stand up for what you believe
A recent post on the very excellent BBH Labs blog* has brought me back to thinking about tigers and sheep which I wrote about in May 2010. In that post I didn’t actually use the quote that originally came to my attention through the British mountain climber Alison Hargreaves so here it is:
Better to live one day as a tiger than your whole life as a sheep
It is this theme of sticking by your convictions and having the courage to stand out in a crowd that Jim Carroll, Chairman, BBH London covered in his post Who’s Ad is it Anyway? on 16th May.
Inevitably, when we discuss modern communication, we spend most of our time considering whether we are properly reflecting the truth of the brand or engaging the interest and participation of the audience. And rightly so. But doesn’t it help, a little at least, to be motivated by our own interest, enthusiasm and sense of pride?
While I have worked in many events organisations that have enthusiasm by the bucketload; and self-interest is after all what motivates many a sales executive with an eye on their commission cheque; I am not sure that pride in the sense that Jim uses it is often in the mix. When staging an event, particularly one in the B2B marketplace, the team has to serve a huge number of masters: from industry bodies with committees and egos of their own; to sponsors who rightly want to extract maximum benefit for their investment; a multiplicity of media partners, exhibitors, speakers; plus the visitors themselves; while constantly reminding themselves of the need for a positive financial outcome.
How in this maelstrom of expectation do you stay true to the event and the original ideas that drove it’s inception?
It helps if you actually have a clear description of what your event actually is. Sit your entire team in a room and ask them to define your event in a single sentence (no restriction on the number of words!). If you have never done this I can guarantee you’ll have more than one answer. Once you have nailed this one, decide on the personality and profile of your event. Write it down. Create your branding document, and by this I don’t just mean your look and feel, it should also define your market position and your key performance indicators. And every single one of your team needs to know that this is the hymn sheet they should sing from.
While it is essential to be embedded in your marketplace, and you should make essential changes, don’t be tempted or swayed by single voices or what other organisers are doing. Constant reactions and alterations make you look like grass swaying in the wind rather than firmly rooted and leading the way. If your research was thoroughly executed and your key participants were eager to come on board, don’t let others tinker with or distort your original concept simply because they think they can.
Have the courage of your convictions so that when the last truck leaves the venue you can say “That was my event, and of it I am very proud.”
hellen @missioncontrol
*Well worth a read – particularly if you have been struggling with how to develop your own company blog with buy in from the entire organisation. Admittedly they have lots of fabulous creative content to play with, but that shouldn’t be your excuse.
Virtual Shakespeare – fancy that!
My pre-teen loves Shakespeare. It’s not something I can take any credit for since I didn’t really pay much attention in English Literature (I blame the teacher) and the sight of Denzel Washington, Robert Sean Leonard and Keanu Reaves striding around in riding breeches in the 1993 film version of Much ado about Nothing probably stopped me from appreciating the complexity and vivacity of the language.
Despite having the RSC and Globe Theatre more or less on the doorstep we haven’t quite managed a trip to see the Bard’s offerings live as yet, so there was little to reference when confronted by a project to design the stage setting for MacBeth. However, we were saved from having to trawl through countless videos on YouTube by a brilliant event produced by Florida Virtual School on the 6Connex virtual experience platform.
The Florida Virtual School develops and provides virtual K-12education solutions to students in Florida, the U.S., and the world. Founded in 1997, it was the country’s first, state-wide Internet-based public high school. Today, FLVS serves students in grades K-12 and provides a variety of custom solutions for schools and districts to meet student needs. Its virtual Shakespeare festival was live on 26-27 April and once we had logged in we were able to see presentations from FLVS students as they acted favourite Shakespeare scenes or added their own interpretation. With vignettes from other Shakespeare companies, including the very excellent Reduced Shakespeare Company, we were able to absorb a lot of content and styles in a very short period indeed, presented in a way that felt extremely accessible.
Was something lost by the presentation of theatrical works in video that was a bit grainy and certainly wobbly in places? Possibly yes. But many children and young people (and the rest of us!) today live off a diet of YouTube video and homemade entertainment delivered via phone, iPad and PC so my 12 year old wasn’t remotely phased by a lack of cinematic quality. What she really enjoyed was being able to interact with the actors and presenters in real time. Networking was easy in this virtual environment and the fact that most of the other participants were 4,500 miles away was of no concern. Did she learn anything – definitely. Did she enjoy the experience – absolutely.
The debate about virtual vs live rumbles on, and on, but what this event shows is that these environments are not just a business solution. They offer a real opportunity to open up access to real live knowledge and expertise for all.
hellen @missioncontrol
What exactly is a virtual event?
Just when you thought you had got to grips with all of the options available via cloud computing and social networking along comes something else to add to the mix. If you are one of the many trying to navigate your way in this emerging market there is a much opinion being shared by those on the leading edge.
Before you can even begin to think of technology suppliers or content you need to know exactly what is meant by virtual event because like lots of new innovations the term doesn’t mean the same to everyone. The end result from using a webcasting solution would differ greatly from that produced from an award-winning platform such as 6Connex.
By far the best definition of a virtual event we have found so far comes from the Association Virtual Conference report produced by Tagoras (well worth reading if you get the chance).
A virtual conference is a Web-based event that replicates many aspects of a traditional placebased conference. It features multiple sessions (not just a single Webinar or Webcast) and may include keynote presentations, training and education workshops, discussion areas, social networking opportunities, exhibit areas for vendors, and various other features. Activities in a virtual conference may take place in real time (synchronously), on demand (asynchronously), or in some combination of the two.
Which is a great starting point. Next you need to specify your goals and then work out what you expect a technology solution to deliver. If you are a novice reading the advice of an independent commentator like Cece Salomon-Lee from Virtual Buzz could prove invaluable.
Above all, go and have a look at some of the events currently being produced: you’ll find everything from Shakespeare Festivals to Sales Conferences; Training Days to Careers Fairs. In fact there isn’t much you can’t do in these environments.
